Muriel Lake Incident: 1999, This work encompasses the miniature world, the narrative and the public and private experience. The viewer enters upon a time warp, a stylistically film noir projection plays to stereotypical Midwestern soundtrack, the viewer overhears a conversation behind them, uncannily similar to the image playing in front. Cardiff plays on the notion of memory and fantasy, the sparse theatre shines from the glow of the tiny film, the viewer enters a space of non being in which they exist.
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